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Canto Ostinato 2.0 on keyboards, ney and percussion
Julian Schneemann is a musical adventurer. Everything he tackles, he does slightly differently, shedding new light on a work. This also applies to Canto Ostinato 2.0, Schneemann’s contemporary version of Simeon ten Holt’s equally iconic and hypnotic masterpiece. The repetitive patterns are given an electronic counterpoint, and Sinan Arat’s ney and Jeroen Batterink’s percussion organically complement the pianist’s familiar notes. A light show completes this twenty-first-century Canto journey.