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Upcoming events
May 18, 2024
May 19, 2024
Groede
June 21, 2024
Kloosterkerk Den Haag
July 17, 2024
Trier, DE
Canto Ostinato - victor kraus group
During the MOSELMUSIKFESTIVAL 2024 in Trier, Canto Ostinato will be performed by Victor Kraus Group. A sound experience of it’s own, 75 minutes of pure music without interruption, emotional, rhythmical, melodic. One of the most performed Dutch pieces interpreted by the extraordinary musicians of the VICTOR KRAUS GROUP. An unheard and unprecedented version integrating strings and winds.
Percussion: Guy Frisch / Marimba: ictor Kraus / Querflöte: Aniela Stoffels / Vibraphon: Pascal Schumacher / piano: Kae Shirak / Cello: Anik Schwall / Elektronik: Emre Sevindik
September 7, 2024
Théâtre Michel Portal, Bayonne, France
Canto Ostinato - Ballet
Canto Ostinato by Simeon ten Holt has inspired the French choreographer Martin Harriague to make a new dance production ‘Crocodile’ which will take place in September and November in the theaters of France.
Crocodile stages the coming together of two bodies which agree, punctuate each other, and question each other as so many words come together during a meeting: that of the choreographer and the dancer Émilie Leriche with whom he creates and performs the room. The bodies come closer, avoid each other, follow each other, brush against each other and then end up touching. The gazes hold on, never letting go, in an unpredictable, hypnotic and moving synchronism.
A refined and delicate piece oscillating between attraction and repulsion, softness and clash, in which the choreographer translates to love and its fragility through living bodies in search of harmony
November 15, 2024
Mougins, France
Canto Ostinato - Ballet
Canto Ostinato by Simeon ten Holt has inspired the French choreographer Martin Harriague to make a new dance production ‘Crocodile’ which will take place in September and November in the theaters of France.
Crocodile stages the coming together of two bodies which agree, punctuate each other, question each other as so many words come together during a meeting: that of the choreographer and the dancer Émilie Leriche with whom he creates and performs the room. The bodies come closer, avoid each other, follow each other, brush against each other and then end up touching. The gazes hold on, never letting go, in an unpredictable, hypnotic and moving synchronism.
A refined and delicate piece oscillating between attraction and repulsion, softness and clash, in which the choreographer translates love and its fragility through living bodies in search of harmony.